![]() in a second meaning it refers to a metric quantifying how well an entity (human, device, or process) deals with a specific aspect of a specific (not necessarily musical, e.g. in their manner of singing or performing music) for another group of people. Has three meanings in this field : -in a first meaning, it is an event in which a performer or group of (typically human) performers behave in a particular way (e.g. The use of the acronym MIDI should be broadly interpreted as also referring to any note oriented format for transmission or recording. Many variations and improvements of this note oriented format exist. MIDI stands for Musical Instrument Digital Interface and refers to a note oriented music file and transmission format. pitch, rhythm, timbre, texture, expressivity or dynamics. Even though one person's music may be noise to another, music is a performing art, and musical character is defined by the mere artistic intent of the performerĬonstituent element of "musical content" as defined above. implying an intentional and artistic main focus at least by the performer on at least one of harmony, melody, rhythm, timbre, or expressivity. Generally employed in a restrictive limiting sense with respect to speech, general audio and sound, i.e. ![]() Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture.Music (including singing, the vocalized form of music) is distinguished from speech by its particular and deliberate emphasis on the above common elements, especially rhythm and melody.By contrast, speech is distinguished from music by its particular and deliberate emphasis on conveying meaning: Speech is the vocalized form of human communication musical parametersĪ n art form whose medium is sound and silence. "tool", "device", "process" or "protocol" for performing some musical task involving electrophonic signals, e.g. ![]() sound mixingĭetails of transducers, loudspeaker or microphones Tone controls or bandwidth control in amplifiersĪrrangements for broadcast applications with a direct linking to broadcast information or broadcast space-time Broadcast-related systems, e.g. Gain control in amplifiers or frequency changers Signal processing not specific to the method of recording or reproducing Circuits therefore Information storage based on relative movement between record carrier and transducer in vocoders Coding or decoding of speech or audio signals in general, using source filter models or psychoacoustic analysis Speech or audio signal analysis-synthesis techniques for redundancy reduction in general, e.g. Speech analysis or synthesis speech recognition speech or voice processing speech or audio coding or decoding whammy bar for electric guitars, bodies of electric guitars,Īids for music Supports for musical instruments Other auxiliary devices or accessories for music or musical instruments mechanical details or accessories of electronic musical instruments, corresponding to a suitable acoustic instrument type, e.g. Stringed musical instruments wind-actuated musical instruments accordions or concertinas percussion musical instruments musical instruments not otherwise provided for e.g. counterweights mechanical details of electronic piano keyboards also mechanically driving hammers Keyboard improvements also suitable for acoustic pianos, e.g. ![]() Security arrangements for protecting computers or computer systems against unauthorised activityĪcoustic, i.e. Pitch and rhythm extraction in videogames, substantially similar to G10H 2210/066 ("for pitch analysis"), G10H 2210/076 ("tempo analysis"), G10H 2210/091 ("performance evaluation") with G10H 2220/135 ("games"), also related to G10H 1/366 voice modificationĭigital computing or data processing equipment or methods, specially adapted for information retrieval of audio data ![]()
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